releases

NOISY - ‘FAST FWD: to friday [VOL 1]’ pre-release review: rave-infused ingenuity

Sep 6, 20232 min read

NOISY - ‘FAST FWD: to friday [VOL 1]’ pre-release review: rave-infused ingenuity

Ben Massey | 05/09/23 The first time I heard about NOISY was when Jordan Fish (Bring Me The Horizon) retweeted their song I Wish I Was...

Movements - 'RUCKUS!' review: creating the indie-hardcore genre

Ben Massey

Aug 24, 20232 min read

Movements - 'RUCKUS!' review: creating the indie-hardcore genre

Ben Massey | 24/08/2023 I wouldn’t say my music taste has changed that much over the last few years. But I know I’ve started listening to...

Ben Massey

Jun 7, 20232 min read

FEVER 333 - '$wing' review

Ben Massey | 07/06/2023 FEVER 333 are back with an emphatic new single - $wing, an anthem that marks an exciting new chapter for the...

Superlove - 'follow:noise' review: booming bass to send vibrations through your skull

Ben Massey

Jun 3, 20232 min read

Superlove - 'follow:noise' review: booming bass to send vibrations through your skull

Ben Massey | 03/06/23 Pause whatever you’re listening to right now, type Superlove in the search bar and scroll down to their new album...

Calva Louise - 'Third Class Citizen': reality, sci-fi, and dystopia

Ben Massey

Jan 22, 20231 min read

Calva Louise - 'Third Class Citizen': reality, sci-fi, and dystopia

Ben Massey | 22/01/23 Calva Louise are back with a vengeance. Sprinting into 2023 with their heaviest work to date, they aren’t here to...

Sleep Token - 'The Summoning': from metal to cathartic dance

Ben Massey

Jan 22, 20232 min read

Sleep Token - 'The Summoning': from metal to cathartic dance

Ben Massey | 22/02/23 Get ready to “taste the divine” with Sleep Token’s new single, The Summoning. What a way to start off the year for...

Scene Queen - 'BIMBOCORE VOL. 2' review: an uno-reverse of historical label-making

Roxann Yus

Nov 11, 20223 min read

Scene Queen - 'BIMBOCORE VOL. 2' review: an uno-reverse of historical label-making

Roxann Yus | 11/11/22 I am pleased to report that phallic imagery has been cancelled. Now, explicit language is totally in fashion thanks...

WILLOW – ‘>COPINGMECHANISM<’ review: the peaks and troughs of musical soul

Roxann Yus

Oct 18, 20222 min read

WILLOW – ‘>COPINGMECHANISM<’ review: the peaks and troughs of musical soul

By Roxann Yus | 18/10/22 WILLOW has been my new obsession for a few months now. Ever since the gradual tease of new releases for the...

Kid Kapichi – ‘Here's What You Could Have Won’ review: political reality within danceable punk

Ben Massey

Oct 5, 20223 min read

Kid Kapichi – ‘Here's What You Could Have Won’ review: political reality within danceable punk

By Ben Massey | 05/10/2022 When Kid Kapichi started releasing singles for Here’s What You Could Have Won I was surprised by the speed of...

EDEN – ‘ICYMI’ review: Fragility of Being and the Unforgiving

Roxann Yus

Sep 12, 20224 min read

EDEN – ‘ICYMI’ review: Fragility of Being and the Unforgiving

By Roxann Yus | 12/09/22 “If we act like things are not spiralling out of hand, does that make them so?” “If a thought goes unspoken,...

Artio – ‘Pyrokid’ review: a biting sign of the times

Ben Massey

Sep 7, 20222 min read

Artio – ‘Pyrokid’ review: a biting sign of the times

By Ben Massey | 07/09/22 Our favourites here at white noise., Artio, are back with a playful and elaborate single, Pyrokid. Despite...

Movements – 'Cherry Thrill' review: a depiction of romantic tragedy

Ben Massey

Aug 26, 20223 min read

Movements – 'Cherry Thrill' review: a depiction of romantic tragedy

By Ben Massey | 26/08/22 California based alternative rock outfit, Movements, return with their most polished work to date. Cherry Thrill...

Floods In Japan – ‘ECTOPIC’ review: hardcore correctness

Roxann Yus

Aug 8, 20222 min read

Floods In Japan – ‘ECTOPIC’ review: hardcore correctness

By Roxann Yus | 08/08/22 Up against the emerging talent from the Southeast, as well as the influx of new hardcore bands in the UK right...